Willkommen! Cabaret is an 8-time Tony Award winning musical that takes place in Berlin, Germany in the midst of a post-World War I economic depression, is transitioning from a center of underground, avant-garde cultural epicenter to the beginnings of Hitler’s totalitarian regime and the rise of the Nazi Party.
Into this world enters Clifford Bradshaw, a struggling American writer looking for inspiration for his next novel. On his first night in Berlin, Cliff wanders into the Kit Kat Klub, a seedy nightclub overseen by the strange, omniscient and gender-bending Master of Ceremonies, “the Emcee.” Here, Cliff meets Sally Bowles, a vivacious, talented cabaret performer, and an utterly lost soul. In addition to a budding romance between Cliff and Sally, is the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. The club serves as a metaphor for ominous political developments in late Weimar Germany.
As time passes the situation in Berlin changes from exciting and vital to ominous and violent. With a distinctly Brechtian dose of provocation and a score featuring songs that have become classics of the American Musical Theater, Cabaret is a fierce, meaty musical that pushes the boundaries of the form and literally holds “the mirror up to nature.”
Cabaret is a 1966 musical with music by John Kander, lyrics by Fred Ebb, and book by Joe Masteroff, based on John Van Druten’s 1951 play I Am a Camera, which was adapted from the short novel Goodbye to Berlin (1939) by Christopher Isherwood.
This musical is Rated R. Due to adult content, themes, and language this show is not recommended for children.
The first musical for the 97th Season was a revival of the Tony-Award winning musical “Cabaret”. The show was first performed at Community Players as the opening show of 1988-1989 Season.
The 2019 production used the revised script. In a night club in Berlin, as the 1920′s are drawing to a close, the Master of Ceremonies welcomes the audience to the show and assures them that, whatever their troubles, they will forget them at the Cabaret. Her songs provide wry commentary throughout the show.
This musical was Rated R. Due to adult content, themes, and language this show was not recommended for children the revised version from 1998 was selected this time around. The reviewer proclaimed, “One reason Cabaret’s message is as relevant as it ever, whether it is the rise of authoritarianism around the world or various forms of using “the other” as a scapegoat.” “Cabaret” remains an important message of what can happen when we look the other way. The show was well-received from the audiences and the reviewer.